“NHC V,2,” “NHC V,3”
excerpts from gnōstos
Volume VII, The Grammaton Series
by Irene Koronas
NHC V,2
To quip
the meridian
the sudden
unagonic
drains the idolum
of its clarus
tap the flood
the Velleit stones
in Nineveh
and add ratio
to saints
to 23 and 50
clinamens
Edit chest the body
Speculum nails
that pierce
and lamentate
Parnigianino
the forks pring
to perp blurs
to obscure
Dag the ciduous
scrub and patch
Dildoul the
nudist arable
networts and micro
coppice roo
the nomclature
(silva) a rit
spurs the feces
the rectdemo
a courtatious aim
to ebomad
ge. 1:2
Codify titillation
ge. 40:1
Lifmea
aporia para
a double
handed refer
(…)(..”..”)
“come
on”
saturate
NHC V,3
The third
quasitick
a baronial retinue
that usurps
The speakhood
The parvenus set bent in vad
The robin fansher 1247
The fifth iron handnod
to seq the vent
and tack the versid
Who effs the unmob
Who measures
seventy two
without number
or dirt
Gaugela
who walks
on rulers
The preexist
femphia
Epoque phenom
An off limit
portiori stit
that emisnomas byists
phoneme or unself
The seventh insync
that betic rites
and bolics the arbit
no vise can resemble
the raphic fers
the ension
Let all siblest strat
chap v (graph sentron)
The race for variation
is a dericon
The eighth monarch
is a dicaflation
Horners lean
on an apex
of tritate hips
The eight logues
Chons
Addai
Achamoth
Hokhmah
Hilip
Eusebus
Abgat
Adonaios
Irene Koronas is an extreme experimentalist. Her Grammaton Series includes siphonic, Volume VI (BlazeVOX, 2022), lithic cornea, Volume V (BlazeVOX, 2021), holyrit, Volume IV (BlazeVOX, 2019), declivities, Volume III (BlazeVOX, 2018), ninth iota, Volume II (The Knives Forks and Spoons Press, 2018) and Codify, Volume I (Éditions du Cygne, 2017). Her extreme experimentalism has been published in Alligatorzine, BlazeVOX, The Boston Globe, Buzdokuz, Cambridge Chronicles, E·ratio, Marsh Hawk Press Review, Offcourse, perspektive, slowforward, Taos Journal of International Poetry & Art and Word For/Word. She is the Publisher of Var(2x). Her website is irenekoronas.com.
